Thursday, November 13, 2014



Chris Condon                                 Adopted Piece                         10-26-14

1)     The Pantheon
2)     Architect: Apollodorus of Damascus
3)     126 AD, Roman Imperial period
4)     Made entirely of concrete, an unusual medium for a monumental structure of his type at this time
5)     Rome, Italy
6)     Commissioned by the Roman emperor Hadrian, built as a temple to all of the Roman gods
7)     First, lighter variations of the same concrete are used as we move up the structure. At the base of the building, a basalt-based material was used, while a lighter pumice-based concrete was employed near the top. The concrete is also thinner at the top than at the bottom. Second, we move to the oculus at the crest of the dome. This innovative design was employed to act as a sort of relieving triangle and to remove weight from the weakest point in the dome. It also acts to divert the force of gravity to the base of the dome, instead of the weaker center. Finally, we examine the small indents in the ceiling of the temple, which are visible in the ceiling of the structure these seemingly stylistic breaks in the filling of the concrete actually serve to help support the dome. While removing weight from the immense dome, they are stepped within each concavity, ultimately preserving the structural integrity of these spots. We can also observe that in between the indents a sort of lattice-work of supports are created, giving the building's roof a strong skeletal support system.
8)     The Pantheon, with its monumental stature and its Greek facade, was an extremely innovative architectural work in its time. It functioned as an homage to the Roman pantheon of gods, and what is interesting is that the movement of the sun in the sky assures that the sun never shines on one statue through the oculus for longer than another. It's intent, so much like other monumental structures, is not very clear cut. We do not know if the Romans really believed in this pseudo-Greek multitude of deities, or if the temple was just intended to assert the power and majesty of the Emperor.

9)     Economically, we may draw many parallels between the pantheon and the Parthenon. With both structures, we observe an era of great prosperity in an area that dominates the surrounding areas. This points to truly vast amounts of wealth within the empire at the time of construction. Socio-political circumstances are similar as well, as we can see in even just the leaders at the time. A strong, centralized state was present in both societies, and this led to a relatively stable period in which construction took place. The leaders also debatably used the temples as a symbol of power and authority, and not simply a place to pay tribute. Finally, we come to the most evident purpose of the Pantheon: religion. Although many historians debate over whether Romans really believed in their Greek-like deities, one thing is for certain: that the gods were very important to the construction of this work. We see statues of the Gods inside the temple, which were likely meant to be revered by followers of the official religion of Rome. The temple has since been converted into one of the most recognizable Catholic Churches in the world, and will likely stay that way for many years to come.

Monday, November 3, 2014

Geometric Krater

Geometric Krater, from the Diploma cemetery

- ca. 750–735 B.C.
-Funerary scene of a warrior.
-Use of registers.
-Medium: Terracotta.


Sunday, November 2, 2014

Met Trip

In usual Rae fashion, I wondered into the American Art wing during our trip. So here are some photos that are relevant to what we have studied thus far. Whoops but the trip was great anyways, enjoy!

  • Nydia , The blind Flower girl of Pompeii
  • Marble
  • The dynamic movement in both her stance and clothing suggest a very advanced sense of human anatomy and movement. Her closed eyes suggest her blindness however she has a hand to her ear as if she is hearing the destruction that is occurring around her. Also the emotion in her face is amazing, and at first glance you can sympathize with her even though she is only stone. 
   

  • The Vine, Harriet Whitney Frishmuth
  • Cast Bronze 
  • Once a small statue only about 11 inches tall, this woman now stands at a monumental scale. She represents a dancer and holds a grapevine in her hand while standing on her tiptoes. She can be compared to the dying warriors seen in Greece. For example the amount of passion, expression and expression on on her face add a third element to the piece. Allowing the viewer to feel and almost move with her.

  

  •  Babes in the Wood, Thomas Crawford
  • Sculpted from Marble
  • This piece is the most tear inducing one, showing a sister and her older brother laying down sleeping int he woods. However they died in their sleep and were given a burial only from the nearby robin to cover them with leaves. They represent a folktale and also the stillness and peace that death brings. 



  • I included this photo of the ceiling in the rotunda of the met only because I really liked how the light and colors played in this one. 
 
Contest Photo: Me taking a selfie with my buds !







Wednesday, October 29, 2014

Met Photos

Pablo Picasso Nude Standing By the Sea 
Considered a Surrealist piece, through rearrangement of the anatomical form and distortion of the human body. It creates an ambiguous sculptural mass which barely resembles a human. Possibly reflective of the inner turmoil he was feeling while divorcing his wife and going through his affair. 

Thomas Crawford Dying Mexican Girl This piece totally reminded me of the Dying Gaul, and the iconography is virtually identical here. Both were wounded in battle and are lying down clutching their wound, preparing to die. 

Kouros  The rigid stance with the left foot in front is derived from Egyptian art, and illustrates a great understanding of anatomy and human form, yet basic in comparison to later pieces such as Laocoon. 
Contest Pic

Sunday, October 26, 2014

3 Field Trip Photos With Identification

1- Geometric Krater, from the Diploma cemetry
Layered into 2 registers, it depicts a funerary scene of a warrior


2- Kouros
Combining Egyptian styles with greek meduim, it portrays a life size young man with his left foot forward to show movement



 3- Doryphoros
polykleitos uses the position of the hips and shouders to indicate a natural balance, following a rule of perfection known as the "Golden Ratio"















Tuesday, October 21, 2014

Met trip

  Diadumenos- By Polykleitos
  • This was created in 450- 420 BCE.
  • This represents Polykleitos's canon- The ideal proportions of the human body. Polykleitos discovered these by measuring soldiers.  Diadumenos's head is 1/7 of the body.
  • Diadumenos has contrapposto- the weight shift where the weight is on one leg and the shoulders and hips are in the opposite direction.
  • This shows a winner of some sort of athletic competition, which is shown since he is tying the winner's band around his head.


  Kouros
  • 600 BCE, Archaic Age
  • The Kouros is made of marble.
  • This is the typical stance of the Egyptian statues- the left foot is forward and the arms are stiff and close to the body.
  • It is almost completely free-standing, except for the small puddle under his feet.
 Grave Stele of Hegesos
  • 400 BCE, Early and High Classical
  • This shows a peasant showing a wealthy woman a box with jewelry in it.
  • Although there are not men in the stele, it still shows a patriarchal society because the servant and the jewelry box are both owned by the father, still showing the male dominance.  Also, the jewelry box represents the dowry that would have been given to her husband, also showing subordination of women.
  • This was used as a funerary purpose, used for marking a grave.